Thursday, October 31, 2024

Just Another Day in Paradise by John Patrick Robbins

“Grandpa, why didn't you ever get married again?” The little girl asked as she sat across from her grandfather.

Michael Crawford laughed as children always cut through the bullshit. They didn't dance around in a conversation playing games, and that is what he greatly admired about them.

As he looked out the kitchen window, he thought back to when this old house once breathed life, when it wasn't more than an overrated tomb, and his daughter didn't consider him more than a babysitter whom she didn't even look in the eye, let alone pay.

But Casey was gold and seemingly the only person who enjoyed his company.

“Grandpa?”

“Oh, sorry, sweetie. Well, I don't think anyone could tolerate my grouchy ways. Besides, your grandmother is hard to replace. That, and all the others
 I love up in the basement always get away, no matter how hard I try to prevent them from doing so.”

Casey just looked at her grandfather, not getting the joke.

And, like every other day he babysat his granddaughter, it was over far too quickly. She later lay beside him on the couch, asleep, as he saw the headlights heading down the driveway.

His daughter, annoyed as usual from working a double at the hospital, quickly came through the door.

Looking at Michael as she always did with a sense of utter disdain, it was clear that she had hatred for him.

“Hello Julia, how was work, sweetheart?”

Michaels's daughter glared at him as she tried not to wake Casey. She scooped up her daughter to carry her to the car.

“Julia.”

“Father, just wait here. I will be right back!” Julia snapped as she took little Casey out to the car.

Michael sat, knowing that whatever his daughter had to say would be far from good and venomous as usual. As he sat there awaiting his judgment, no matter the circumstance, he was always guilty in his daughter's eyes.

“Dad, this is for you.”

Julia startled Michael as she had seemingly slipped back into the house undetected. He tried not to jump as his daughter stood holding a small envelope.

“What's this?”

“Please, Dad, just take it. I got a raise at the hospital, so it's just something for looking after Casey all this time for me.”

“Honey, you don't have to pay me. I love spending time with Casey. You know that. Heck, if it wasn't for her, I wouldn't have any company at all.”

“Well, Dad, that's what we need to talk about. I found somebody else to watch Casey. I am sorry, but they’re closer to my work, and it's rough on me having to drive to bum fucking Egypt every time to pick Casey up, so again, I am sorry.”

Michael knew it was pointless to argue. His daughter was like a brick wall: cold, harsh, and unforgiving.

“I understand. I just wish I would have known sooner. At least I could have let Casey know.”

“Oh, I'm sorry I didn't consult you, father. I mean, when you lived in a whiskey bottle when I was a child, you would have loved not having to give a shit for anyone but yourself.”

“Julia, that's not fair. I haven't had a drink in a long while.” Michael replied.

“Oh, I forgot now that you've chased everyone out of your miserable ass existence and buried your wife, you actually want people around. Well, sorry, you made your bed. Now, sleep in it.” Julia barked as she tossed the envelope towards him and headed out the door.

Michael just let her drive off. She was bitter and had every right to be. His life was a blur for the most part, and when he, at last, navigated himself out of those dark waters, his kids were grown, his wife was on her way out with cancer, and all he had was his tow truck company and nothing else to show for it besides the damage he had done to himself.

Michael stepped out on the porch and saw his daughter's taillights turn onto the main road as she floored it, vanishing off into the night like far too many people in his life before.

Michael looked at his shop and saw the little red compact car sitting out in the open. Goddamn, he was getting sloppy in these last years of his life.

Fuck! Michael thought to himself. The only reason his ass got away with anything was because he lived out here in the boonies.

Michael had to shake his head as he walked back into the house and eyed the bottle of bourbon he kept on the top of the fridge. It was a reminder of all the years he would never get back and all the bullshit he could never deny.

He took a while just staring at that bottle. It was never his demons that tormented him. The bottle provided an escape that soothed his nonexistent soul. In truth, it just dulled his urges.

And he had to fight those urges to keep hidden by any means necessary. Michael made his way down to the basement. The only perk of his granddaughter not being around: he had more time to spend in his workshop.

He stopped at an old bookcase and pushed the switch to open the door to his workshop. The woman looked at Michael, tears filling her eyes, chained to the toilet. It was so beautiful. It was that vision he loved the most.

He commanded respect through blunt force. He had to fight his urge to bust out laughing at the young woman. She tried to scream, but the gag muffled it.

He loved when he could terrorize them without even lifting a hand to them. It was a game and his art, and he had been out of practice for so long that when he heard the call of this stupid bitch break down on a nearby back road, he couldn't pass it up.

He had long since put down the bottle, but it was time again to pick up his truest bad habits.

Michael didn't say anything as the woman screamed so much, he thought she would vomit.

He damn sure didn't want to have to revive her to continue the party, so he just hit her in the gut as she collapsed on the floor.

“Shut the fuck up, you stupid bitch!” He yelled, but it only served to enrage him. He hated to break his silence, so Michael went over to his toolbox, which he kept just out of his newest pet's reach.

He hated when they made him break his silence; he hated noise, and as he grabbed the hammer, he would truly make her pay for this intrusion into his game.

Michael Crawford looked at the picture little Casey had drawn of him in crayon he kept on his workbench. It made him smile to think he was loved by someone so pure, unlike these cunts he used like a cat playing with a mouse.

His hand almost shook with excitement at the fun he would most certainly have and the agony he would most certainly bring. He only questioned how long she would last and then again maybe his little granddaughter was right. Maybe he shouldn’t be alone in this tomb.

Of course, maybe she would just be a sacrifice he would drag to hell with him. He looked back at the girl who was already broken. He didn’t need love. He never did. He needed a release, and she would certainly provide that escape.

Michael Crawford knew he had to pick up a hobby in the twilight of his waning years as he had forgotten so many things. Yet, as he stood over the sobbing girl before bringing the hammer down hard enough to damn near split her skull open, he knew murder wasn't one of those things.

Micheal very much still had it.






















John Patrick Robbins is a Southern Gothic writer whose work has been published in Yellow Mama Webzine, Piker Press, The Dope Fiend Daily, Fixator Press, Schlock Magazine, Lothlorien Poetry Journal, Punk Noir Magazine, Horror Sleaze Trash, and here at Disturb The Universe. His newest book is Lost Within The Garden Of Heathens published by Whiskey City Press and is available through Amazon. His work is often dark and always unfiltered.

Tuesday, October 29, 2024

The Horror We LoVe, The Movie We LiVe by Casey Renee Kiser

It all starts when we let it in;
plants a flag under our skin

The Thing must be You
The Thing must be Me
The Thing must be Us
in each other's company

How the distance takes our shape
when we don't choose a form to
just fucking communicate

Lights out; crawl around within
No surrender for the win

You're suspecting Me
I'm suspecting You
They're suspecting Us;
Seeing red when we are blue

Last swig of that J & B;
Let's end this here with the flames
The real thing, we'll never see

--

Casey Renee Kiser is a punk poet with a horror-quirk-twist. Her new release Altered States of The Unflinching Souls with fellow indie poet, J. J. Campbell is due out late Summer 2024, and Confessions of A D3AD Petal early Spring 2025. She runs a small independent press in Kentucky.

Sunday, October 27, 2024

Words by Wayne F. Burke

Manhole cover says
"woe-cup!"
Car door burps
shut.
Car tires grind sand.
I am holding a wall up
downtown and
hanging on to these
words,
all I got to
get by on--
nothing else to
hold on to
but myself, and
myself, hell
I
ain't
enough.

--

Wayne F. Burke's poetry has been widely published in print and online (including in DISTURB THE UNIVERSE). He is author of 8 published poetry collection and one book of short stories. He lives in Vermont.

Friday, October 25, 2024

Last Chance from Piute City by Michael Dwayne Smith

Come on back soon! said the faded yellow on a
rickety billboard as we high-tailed it out of that place,
final nod to our little sandstorm of history there.

Defeated & bleached, a desert town impossible
to live with, pretty in her way, but really a passing
darkening— shuttered Air Force base, bankrupt

horse farm, abandoned shadow, with the world’s
tallest thermometer caked in pigeon turd. Out on Yucca
Road, folks parked all day & night around the

crumbling hospital for birth or death, & there, it turned
out, Lacey, who once was good & saw only good,
worked in the clinic kitchen, before I stole her away

in my old red Chevy, though not for too long. She took
someone else’s name when she ditched back to Piute,
though years later I got a Christmas card from her,

with a pretty, hand-painted cactus-&-donkey nativity
on the cover, the words Come on back soon!
scrawled inside, with a pink heart, lipstick kisses.

It did not persuade. The past is best left for letting be.

--

Michael Dwayne Smith haunts many literary houses, including Gargoyle, Third Wednesday, The Cortland Review, New World Writing, Chiron Review, Monkeybicycle, and Heavy Feather Review. Author of four books, recipient of the Hinderaker Prize for poetry, the Polonsky Prize for fiction, and a multiple-time Pushcart Prize/Best of the Net nominee, he lives near a Mojave Desert ghost town with his family and rescued horses.

Tuesday, October 22, 2024

And/Or by Eric Chiles

Which way should we go?
Should we combine or choose?
Are we wheat or chaff, neither, nor,
does that equation hold anymore?
Things get complicated, it's hard
to decide so the language of lawyers
presides just like the uncertainty
of etc. Better to cover all the bases,
numbers, colors, whatever. Who
cares? Around-and-about confusion
slashes our minds. In simpler times
it was Ten Commandments
or the Bill of Rights, do unto
others and us to them, here
and there. Geography went from shore
to shore even though Cristo
and Marco changed that long ago./ So
many voices, not sure which
is mine or yours or theirs except
they all say the same thing even
though they don't sound alike,
all babble and confusion trending
toward anarchy, the orderly odd
islands of exception, luddite holdouts
against the tide of devolution
and/or the palette of a masterpiece.

--

Eric Chiles is author of "What Was and Will Be" (Resource Publications, 2024, and available on Amazon) and the chapbook "Caught in Between" (Desert Willow Press, 2019). Besides Disturb the Universe, his poetry has appeared in Allegro, Big Windows Review, Canary, Rattle, San Pedro River Review, and elsewhere. Grandfather to a dozen grandsons, he wishes he had a granddaughter.

Sunday, October 20, 2024

Riding Shotgun with the Mothman by Manny Grimaldi


                               inspired by Robert Wood Lynn

The problem with riding shotgun is
the thought you're driving & then thoughts sinking—
soon it is better blinded, ears hollowed out
& did I tell you my bird Frankie died
last night? She stiffened by the water trough every claw angled up
& I knew there were no guarantees when we started.

Today there is the feeling
whatever I've gotten close to has turned up dead inside,
far from me—& all I ever wanted was to direct traffic.

From where I hang in the trees above the jungle,
I can see the beaches, & the cruise ships unloading on the docks—
& their thoughts. Maybe every turn & how they will breathe.

Tonight, a building on 67th street, the climb is sleek mirrored,
the people grow smaller beneath, & I step
out the window.

The Earth is covered in flies.

--

Manny Grimaldi is a writer, actor, and editor from Louisville, Kentucky. He is managing editor at Yearling Poetry Journal, in Lexington, Kentucky. His publications and future pubs include The Rye Whiskey Review, Moss Puppy, Pegasus, The Crossroads Literary Magazine, Drinkers Only, LexPoMo anthologies, and Club Plum.


Friday, October 18, 2024

Crow Face by Simon Collinson

I am the ugliest person in the world and in demand. Highly paid and sought after because, in this world obsessed by beauty, I make everyone else look better.

And in this world fashioned in vanity that quality is priceless.

My looks are now interesting, exotic, different and a talking point.

Ugliness is now a valuable commodity.

Oh, I know my looks are just an object. They’re not interested in me as a person of what lies beyond this covering.

It's all so superficial.

But I can't complain. I am well paid and live in a fabulous property. A mansion with grounds, called Corvus Hall.

At least I don’t have to slave away like my parents did. My mum cleaned dirty rank spit filled floors, destroying her skin with harsh chemicals for a pittance.

Or my dad, who had to leave the house at 5 am and work in all weathers, coming home in darkness soaked and chilled to the bone.

Both of them are old before their time.

At least my work is not exhausting, though perhaps just as humiliating and belittling. But doesn’t everybody sell a small piece of their soul when exchanging their labour for cash?

At school, there was not much down for me. I was stupid, clumsy and from a poor family. Added to that, I was very ugly.

I had a dream that like the tale of the ugly duckling, I too would one day awaken a graceful and serene handsome swan.

But it was just a dream that never came true.

Each morning, I’d awake and look in the mirror and see the same face staring back at me.

One day, someone shouted in the playground, “He’s ugly, ugly as a crow!”

“He’s Crow Face,” replied someone.

I became Crow Face.

The nickname stuck and followed me throughout. Nobody, except my close family, used my other name after that.

To the world, I was Crow Face.

I learnt early on that what matters in this world is who your family are, “who you know,” and what skills you have, “what you know.”

In both areas, I was at a disadvantage.

I looked set for a life of struggle and squalor.

But as luck would have it, there were changes occurring in the world. Everybody was becoming more obsessed with beauty. In all its outward forms, everyone strove for physical perfection. Even those of average looks could now, with money and effort, improve their looks to be good-looking.

The more the people around me became beautiful the more I stood out. A contrast with my ugliness.

In the land of graceful swans the crow sticks out.

And I was an ugly crow at that.

That's when I started being in demand. Those who had mocked me, disdained and ignored me for my “Crow face” as a teenager now courted me. Not because they liked me. I never deluded myself on that front, nor was it any innate quality like my personality or wit. I had none.

No, they prized and valued me for my ugliness, my “Crow Face.”

I would be paid to escort beautiful people and be photographed in their company. Paid to appear with them. Paid to do adverts. All this just to make the others in the photo or the programme look better looking. Compared to me, even the most average-looking person could look stunning.

I felt degraded at times. Like I was selling my body. But I was selling my face rather than my body.

Whatever name you choose to call me, I don’t care. Just pay the fee and I’ll be ugly for you.

And then move on. I’ll quickly forget your face as it fades away.

In this world, unless you’ve been given privilege at birth, you’ve got to use whatever you have been given. We all have to make our own deals with the devil and hope we can live with the terms.

Play with the cards you are dealt with and now I found that my deuces had been changed into Aces.

Life now highly valued my innate ugliness. So I made sure to use it to my material advantage.

The alternatives were not very appealing. A life of precarious low-paid drudgery.

So they can now think what they like of me. I will be rolling in riches and live in a fancy place in peace and quiet.

I made sure that my mum no longer had to wear out her hands and knees and have her skin reddened by burning cleaning chemicals.

My dad no longer had to get up at dawn to get soaked and frozen or burnt.

When I close the door behind me I am my own being. I have filled my place with objects that interest me. I have collected everything that is considered ugly and broken to surround myself.

Outside all I see is non ending beautiful perfection which holds no interest for me and sometimes sets feelings of revulsion.

Someday, when I’ve earned enough, I’ll lock the doors and never again set foot in a world I don’t feel I belong in. Nor will I ever look upon the empty beauty that exists everywhere.

In my world ugliness shall be its own beauty.

I can be comfortable being myself.

Here I can be Christopher and not “Crow Face.”

--

Simon is a writer from England. He seeks solitude and shadow.

Tuesday, October 15, 2024

Disorder by Luis Cuauhtémoc Berriozábal

I see the blue sea
in the tears from your

eyes. In disorder,
a miracle is
in order. Arrows
from white clouds had hit

their mark, eyesight marred,
a broken mirror,
with light extinguished.

The blue sea is in
need of calm. So much
suspense, what will
bring the light back, there
is too much foam, in an
instant your blue eyes
overflowed, a flood…

--

Luis Cuauhtémoc Berriozábal lives in California and works in Los Angeles. His poems have appeared in Blue Collar Review, Crossroads, Fearless, Kendra Steiner Editions, Mad Swirl, and Unlikely Stories.

Sunday, October 13, 2024

Looking For You Know Who by J.J. Campbell

i watched an octopus walk down
the street smoking a cigarette

lost souls never batted an eye

the beeping of a stolen car

the rhythms of a city being
torn apart

two packs of marlboro lights

some shitty bar, tucked away
down an alley and a few stairs

need the password to get in
or some cash

two white russians and a
glass of sparkling water

the bartender raises his third eye
and notices a fool a mile away

the octopus walks in the bar
with a gun

looking for you know who

i sat down and started to drink

it was like a scene out of star
wars though i doubt anyone
here remembers

--

J.J. Campbell (1976 - ?) is trapped in suburbia, plotting his escape. He's been widely published over the years, most recently at Synchronized Chaos, Horror Sleaze Trash, Mad Swirl, The Beatnik Cowboy and The Rye Whiskey Review. His most recent chapbook, with Casey Renee Kiser, Altered States of The Unflinching Souls, is now out in the world. You can find him most days on his mildly entertaining blog, evil delights. (https://evildelights.blogspot.com)

Friday, October 11, 2024

Mammon by Jerome Berglund

A frustrating necessity, through the pursuit of which 99% of us are obliged to spend an unfortunate amount of our lives dedicated, and essentially waste and fritter half or more of waking hours in the best good years away towards should we care to entertain notions of having our own place or starting a family, possibilities which even through diligent effort might be thwarted by circumstance and ill fortune. All to benefit a tiny portion of the population who through no effort or deserving of their own were born into possession of copious quantities of it, and use like a bayonet to force the rest of us to march to the beat of their drums, prostrate ourselves and wait hand and foot upon them for vast majority of our primes, to make them more which we are entitled to no share of their profits resulting from, but rather are broken off tiniest crumbs they are legally and demandedly able to. The root of all treachery, dark god to which bloated rapacious industrialist and devilish tycoon dedicate every conscious moment hour and care, at the altar of which untold quantities of blood has been and continues to be spilt throughout the ages, at the heart of why every war has been waged, each genocide rationalized. What has made prostitutes, johns, janes, pimps or madams of every man and woman since time immemorial, that horrid blasphemous abhorrent necessity on which every facet of our modern society seems to pivot. I curse it.

feet first –
takes the bourbon
straight

wolf tunnel
more shootin’
less tyin’

camellias blooming
overturned lamp is still
illuminated

gun smoke
chews
the toothpick

--

Jerome Berglund has worked as everything from dishwasher to paralegal, night watchman to assembler of heart valves. Many haiku, haiga and haibun he’s written have been exhibited or are forthcoming online and in print, most recently in bottle rockets, Frogpond, Kingfisher, and Presence. His most recent collection of poetry "Eleusinian Solutions" was just released by Mōtus Audāx press!

Tuesday, October 8, 2024

The Morality and Economics of Sex by Bruce Morton

Affection or lust,
We call it love and
Guard against infection.
We concede attraction
But In contradiction

We espouse capitalism,
Play for seduction,
Embrace free love
However, make illegal
Fee love.

So the moral is
That it is okay
To get some action
So long as it is
Not a transaction.

--

Bruce Morton divides his time between Montana and Arizona. He is the author of two poetry collections: Planet Mort (2024) and Simple Arithmetic & Other Artifices (2014). His poems have appeared in numerous online and print venues. He was formerly dean at the Montana State University library.

Sunday, October 6, 2024

The Western Sun by Kelly Moyer

The number eight is
a pair of farm-fresh eggs,
prepared on the griddle,
over-easy,
whereas I exist
in two paltry dimensions,
rendered effortlessly
on the page,
though not within space.
No doubt, there is a flaw
in my construction,
akin to your perception
of consciousness,
tethered, as they say,
to the manicured
hands of time.

--

Kelly Moyer is an accomplished poet, photographer and fiber artist, who pursues her muse through the cobbled streets of New Orleans’s French Quarter as well as the mountains of North Carolina. Hushpuppy, her collection of short-form poetry, was released last year by Nun Prophet Press. Notecards containing a few of her most popular images are available at www.etsy.com/shop/theunfazedmoon.

Friday, October 4, 2024

Negative Exposure by SOUM

Don't be so happy that the sun has come
out, showering all with its light and warmth
You still have darkness swirling around you
Beware, it will cost you a life of love

Too long hidden in the murk and the dim
Those bright beams invade every unlit nook
Now in your face the obvious unveiled

No-where to hide such stark clarity of
this shit-mess you’re bringing into your life

--

SOUM (Screams of Unfettered Minds) is a newly-formed female trio whose poems explore the darker aspects of life championing awareness for mental health and social issues. These private Kiwis consider their style to be raw, unapologetic, unfiltered, cheeky, but always heartfelt, using their poems as their mouthpiece. Twitter/X: @SOUMpoets

Tuesday, October 1, 2024

The Night After Christmas by Cat Dixon

After the soiree ends and the mess
is picked up, after the forgotten
friends forgive the faux pas
of lost invitations, after the babies
have screamed all evening, and exhausted,
they sleep in their beds, I still believe
that people are good, and fire is bad.
I retrieve and count the needles left
from the shedding evergreen,
and carefully pack away the shiny
baubles. After the candles
are extinguished without incident,
I drown them in the full bathtub,
and fill up a large garbage bag
with their waxy gray bodies.
Perhaps this is wasteful,
but the clock’s ticking,
the phone’s ringing, the alarm’s
screaming, and the dreams
of children are close to their end.

--

Cat Dixon is the author of What Happens in Nebraska (Stephen F. Austin University Press, 2022) along with six other poetry chapbooks and collections. She is a poetry editor with The Good Life Review. Recent poems published in Thimble Lit Mag, Poor Ezra’s Almanac, and Moon City Review.