Tuesday, December 31, 2024

Land of Opportunity by Nate Mancuso

The sickly sweet stench of menthol cigarette smoke hits me as soon as I walk into the dimly-lit casino. This smell, combined with the bass-thumping house music and flashing lights and bells of the video gambling machines, leaves me lightheaded and nauseous.

I walk past the people planted in cushioned stools facing the slot machines, hypnotized by the symbols spinning behind the screens in front of them.

A waitress approaches me with a tray of dirty cocktail glasses lined with melting mini ice cubes and lipstick-smeared cigarette butts. She wears a short tight black miniskirt that looks saran-wrapped around her rear with a sparkling gold halter top girdle laced tightly around her midriff to push up her breasts and spill her cleavage out over the top. Her face is lined and dried out, barely concealed by a thick layer of cheap makeup.

“Drink?” she asks while glancing over at a slot player feeding another $20 bill into his hungry machine.

“Alcohol this early?” I ask.

She smirks, revealing yellow teeth behind bright red glossed lips. “Of course. All day, every day – beer, wine and liquor.”

I look at my watch. It’s 8:17 a.m. On a Tuesday. A sharp pang of depression strikes me like an uppercut.

I politely decline the drink then continue my sojourn deeper into the abyss of the casino floor, walking past a line of denizens waiting desperately to use the ATM.

The back wall is lined with a dozen sports-betting kiosks that allow wagers on every type of sporting event imaginable – from NFL football to Arctic badminton.

I take the only unoccupied kiosk.

An intense guy wearing an unbuttoned Hawaiian shirt and backwards visor cap stands next to me swearing at a live baseball game that plays out on his kiosk screen. “Fucking Yankees can’t hit for shit today! Torres you suck!”

I wonder why he’s watching the game on a small kiosk screen rather than one of the big screen TVs perched over the blackjack tables just 20 feet away. I can’t help but ask him.

The guy replies without shifting his laser-focused gaze from his kiosk screen. “I’m in-game prop betting each inning’s run total so I have to stay here for the whole game.”

“Oh cool,” I reply, and wish him good luck.

I don’t think he hears me while his attention remains fixed on the kiosk screen. “C’mon Judge, hit one out and make me some scratch, baby!”

Not seeing any sporting events I care to risk a wager on, I turn and stroll over to the double rows of blackjack tables, with solid dark brown wood frames and green felt-covered tabletops. Players sit in chairs around each table facing a dealer who stands before them like a demagogue in the enclave of the semi-circle shaped table. No one smiles, even after winning a hand. All eyes are glued to the table, expressionless but anxious at the same time.

I stand about five feet away from a blackjack table, watching the same routine repeat itself over and over again with the speed and efficiency of a factory assembly line; cards shuffled, bets placed, cards dealt, wins and losses tallied, chips given or taken away, table cleared, rinse and repeat.

A morbidly obese woman slowly stands up from her seat, with the help of her cane, at a neighboring blackjack table. She shakes her head and mutters something inaudible to herself while she places her player’s card into her purse. After a short rest to catch her breath, she hobbles toward the ATM line which appears to have doubled in length. I hurry over to take the woman’s seat before another bystander can beat me to it.

The dealer – a middle-aged Asian woman with hooded eyes and a blank face so devoid of emotion it looks carved from stone – stares at me expectantly after I sit down. None of the four other players sitting at the table acknowledge me. I reach into my wallet and remove a folded $100 bill, then place it onto the table in front of me.

The dealer nods at me then quickly takes my bill while replacing it with two even piles of five-dollar betting chips in what seems like a single motion she’s obviously practiced thousands of times. She blurts something unintelligible to the pit boss standing behind her while she slides my bill into a slit on the table.

“Good luck,” she says to me in a flat robotic voice.

The dealer repeats her routine over several rounds with a speed and dexterity that mesmerizes the entire table. She’s flawless, a perfectly calibrated cash-sucking machine. She reminds me of The Terminator – sizing up mortals in her path with deadly precision then striking before they even know what hit them. A professional killer, a stone-cold assassin.

I feel hollowed out by this place, unable to even harvest let alone process any cognizable emotion. I’m not happy, not sad, not nervous, not anxious, not frightened. Just empty.

I scoop up the three five-dollar chips that remain from the twenty that I began with about seven minutes ago and stand up to leave the table. No other player notices while all eyes remain fixated on the cards being dealt. The dealer continues her routine without pause or hesitation – not even a quick nod or glance at me. Like I was never even there.

I want to leave but I’m disoriented from the dizzying sounds and dazzling lights that surround and engulf me. I look around but I can’t see the doors where I’d walked in from the parking lot.

I find a security guard standing sentry in front of a baccarat table and ask him where I can find the exit.

“It’s tough to explain but walk that way and you’ll find it eventually,” he replies, pointing toward an endless labyrinth of gaming tables and slot machines spread across the casino floor.

I thank him.

“Good luck, bro.” He smiles at me.

About an hour later in my car, I receive a cell phone call from my business partner.

“You go this morning?” he asks.

“Yep,” I reply.

“So how was it?” he asks.

“The most depressing fucking place I've ever been to, like a halfway house to the suicide ward,” I tell him candidly.

“Doesn't sound too good,” he replies after a brief pause.

“Actually it's perfect. Let's make an offer today.”

--

Nate Mancuso is a practicing attorney, history buff and fiction lover who lives in South Florida with his wife and cat (and daughter when home from college). Nate holds a B.A. from Fordham University and a J.D. from St. John’s University School of Law. Nate is currently working on his first collection of short stories, two historical fiction projects and other works in progress.

Friday, December 27, 2024

New Underneath By Eric Chiles

My parents grew up
in The Depression,
so I learned frugality
as a prime value.

Clothing handed down.
Leftovers eaten.
Nothing thrown away.
Jeans patched, socks darned,
rips and tears mended.
Home remedies healed cuts,
scratches, and colds.

So, I've always worn
yellowed T-shirts with torn
underarms and toe holes
in my socks seen only
when changing at the Y.

A gift card from another
stepchild of need
changed all that,
and today I'm smiling like
a gleaming white, pre-shrunk
T-shirt right out of the pack,
new socks with toes and heels,
feeling baptized,
redeemed from that
threadbare past.

--

Eric Chiles is author of "What Was and Will Be" (Resource Publications, 2024, and available on Amazon) and the chapbook "Caught in Between" (Desert Willow Press, 2019). Besides Disturb the Universe, his poetry has appeared in Allegro, Big Windows Review, Canary, Rattle, San Pedro River Review, and elsewhere. Grandfather to a dozen grandsons, he wishes he had a granddaughter.

Tuesday, December 24, 2024

That's Not Eggnog By JPR

Jack seldom went home, and anyone with half a brain cell, after taking one look at his family, could easily understand why, from his extremely strange little brother, Lester, to the walking liquor store of the famous Frank Murphy.

If you hadn't heard of him, he would undoubtedly be glad to tell you of his greatness or at least hit on anything in the room wearing a skirt.

Jack was the only normal one in the bunch.

And, of course, there was their Mother. She was the only reason Jack was even here.

Nothing beats mom's home cooking, and with a staple of any Rollins family, get together the fully stocked bar in the corner.

You had any family get-together in a nutshell.

Uncle Robert and Frank were already well into the drinks.

Lester just lurked in the background, as creepy as ever.

Folks I never recall would drop by, mainly because Frank was here.

All three Rollins boys were bachelors, and that was about as much as they had in common.

“Jackie, damn good to see you, kid. Hey, you still dressing like a member of the village people for work?"

Frank always considered himself a comedian before his stupid luck kicked in, and the novel took off.

"Frank, how are you? And yes, I'm still building houses and busting my ass."

"Well, I'm glad you took your passion for beating off and turned it into a career. Damn good to see you, kid.”

Frank hugged him; he smelled like a damn fifth of bourbon and cheap cologne.

"Hey, kid, mix a drink. Hell, I will mix it for you; what are you having, kid? I brought a case of the good stuff. Have a drink on me.”

Jack knew arguing with his big brother was pointless, for he was a pushy bastard. And the minute he didn't get his way, he would annoy the living shit out of you until finally you caved.

"Where the hell's Lester at?"

"Probably in his room jerking off; I gave him some mags I picked up at a gas station on the way here.”

"Classy purchase. I hate to see what you got me. I'm guessing a pine tree deodorizer.” Frank busted up laughing.

"No, giving that to Mom, but I did write down this lovely woman's number off the bathroom wall. It seems like a real charmer.”

"Hell, I'm trying to remember the woman's name. What was your ex-wife's name again?"

"Whore." Jack replied.

"Nope, that's not her, although I dated someone with that very same name." Frank was on a roll, and Jack was already looking to plan an escape.

Luckily, Frank turned his attention to Uncle Robert, who was sitting down in his favorite chair in the corner. He would probably remain there until the following day due to his passion for hitting the bottle as soon as the sun rose.

The evening moved fast, and there were no casualties from dinner. Frank kept everyone well entertained, at least, so he thought.

Jack just kept mixing the drinks, and Lester remained the oddball troll we grew to know and avoid at all costs.

Frank rambled on about the people he met, the places he saw, and, of course, the women he slept with.

"Frankie, you need to stop bragging, nobody wants to hear that shit!" Mom finally piped in.

As the evening rolled on, Frank decided to hand out cards loaded with cash to everyone. And it seemed a fitting reward for having to tolerate his big brother's shit. He also, of course, handed us all the first editions of his new book.

Well, at least if he ran out of toilet paper, he would have something to wipe his ass with, Jack thought to himself.

Frank got louder the drunker he became. Folks swung by, and Jack found himself shooting the shit with his freak brother, Lester.

"Damn, if he doesn't talk up a storm loud, mouth, son of a bitch,” Lester said.

"Yeah, unfortunately, I would say fame has changed him, but he was always pretty much an egomaniac prick most of his life.”

"You ever read his stories?" Lester asked.

"Yeah, he has talent, but I think it's mainly because every other good writer is dead these days, so once again, his dumb luck wins.”

Frank had the crowd laughing as he picked up the huge punch bowl full of eggnog. "To my brothers and those two jealous pricks in the corner, cheers.” He tilted it back, spilling a good amount down the front of his shirt.

Jack looked at his little brother.

"So Les, you jizz in the punch bowl like last year?" Jack asked without batting an eye.

"Damn straight, bro."

They clinked glasses without even looking at one another.

"You're a good man, little brother."

Jack's mom looked back at them. Jack just smiled as Les nodded to his Mother.

She looked at them strangely, for she knew that anytime her boys were quiet, they were up to something.

Happy Holidays, and whatever you do, don't drink the eggnog.























John Patrick Robbins, 1977-2024. 

He was an American poet and short story writer.

His books include Are We Dead Yet, Midnight Masochism, Wuthering Heights, How Stella Got Her Groove Back, and the beloved Last House On The Left children's animated series.

He hosted the famed open mic series for deaf people.

He was a television producer for the acclaimed BBC America series that no one ever watched - because it was on BBC America - called Watching Paint Dry and Other Literary Shit.

He wasted most of his life feeding spoiled egos until he went batshit insane.

He died tragically playing electric guitar in the shower in an attempt to open a portal to hell, not realizing he was already there.

His friends will remember him. Okay, he will be referred to for a day in Facebook posts as That Prick Who Published Your Poem.

His museum is a shed behind a Dollar General, which people commonly refer to as a dumpster.

He leaves behind a houseplant who will miss him greatly.

And since he is dead, he is no longer accepting submissions and does not want to consider your poetry manuscript dedicated to your house cat.

He liked turtles.

Sunday, December 22, 2024

Nope by Heath Brougher

I am no 'Ism-er.'
I do not stand on
the Styrofoam shoulders
of society's tainted ideologies.

I cannot suffocate within the crowd.

I light out for the elsewheres—
leaving behind a world
dizzy from the dark drivel abound
and scared of its own shadow—

just as it should be.

--

Heath Brougher is the editor-in-chief of Concrete Mist Press and former poetry editor for Into the Void Magazine, winner of the 2017 and 2018 Saboteur Awards. He is a multiple Pushcart Prize and Best of the Net Nominee, he was awarded the 2018 Poet of the Year Award from Taj Mahal Review. He is the author of 12 books and has a new book forthcoming titled "Beware the Bourgeois Doomsday Fantasy." He has spent the last few years editing the work of others but is officially ready to get back into the creative driver seat.

Friday, December 20, 2024

Collect Them All by Casey Renee Kiser

Twirling the breeze like it’s cotton candy,
I’m not the one they marry-
Every thirsty Thursday and drowned Sunday,
I collect them all and carry

The gypsy heart is too romanticized;
Whispers that scream down your spine
Never the hellfire pain that’s advertised,
only dancing with the wine

A heart; just another collectible
Sun surrenders to the Moon
Sad songs sync heavy stones into our blood,
and Mr. Midnight to noon

--

Casey Renee Kiser is a punk poet with a horror-quirk-twist. Her new release Altered States of The Unflinching Souls with fellow indie poet, J. J. Campbell is due out late Summer 2024, and Confessions of A D3AD Petal early Spring 2025. She runs a small independent press in Kentucky.

Tuesday, December 17, 2024

In the Water by Jerome Berglund


                    dollar general little bighorn

                    crisis actors bull mastiff

                    ill fated skunk white lines

                    new all-time high fentanyl

                    going through motions the heavens

--

Jerome Berglund has worked as everything from dishwasher to paralegal, night watchman to assembler of heart valves. Many haiku, haiga and haibun he’s written have been exhibited or are forthcoming online and in print, most recently in bottle rockets, Frogpond, Kingfisher, and Presence. His most recent collection of poetry "Eleusinian Solutions" was just released by Mōtus Audāx press!

Sunday, December 15, 2024

poem by Wayne F. Burke

telephone pole, where the hanged swing
above the treeline
as warning to the sun
to keep this cold land
cold--
the frozen limbs of trees
agree
with everything that is said;
chimneys send up smoke signals
that only mountains
can read.

--

Wayne F. Burke's poetry has been widely published in print and online (including in DISTURB THE UNIVERSE). He is author of 8 published poetry collection and one book of short stories. He lives in Vermont.

Friday, December 13, 2024

A New Set of Suckers by J.J. Campbell

there have been several
women from france
contact me in the last
couple of weeks

i suppose the russians
have found a new set
of suckers to portray

they all say i am
handsome and they
want to be the mother
of my children

that makes me laugh

if they knew my history

they would volunteer
to pay for the vasectomy

--

J.J. Campbell (1976 - ?) is trapped in suburbia, plotting his escape. He's been widely published over the years, most recently at Synchronized Chaos, Horror Sleaze Trash, Mad Swirl, The Beatnik Cowboy and The Rye Whiskey Review. His most recent chapbook, with Casey Renee Kiser, Altered States of The Unflinching Souls, is now out in the world. You can find him most days on his mildly entertaining blog, evil delights. (https://evildelights.blogspot.com)

Tuesday, December 10, 2024

Reptile by Bruce Morton

Why do I like the sun so?
I don’t really know.
I do not worship it.
There is no Ra or rah-rah
In its rays. I do not raise
Nor bow my head, yet
Will shield my eyes, so
As not to be blinded
By its intensity, energy so
Well-travelled, so fast
That it has seen darkness
Disappear. There are days
It seems like it could be
God’s spotlight, but
Then it creates shadow,
Where I also find comfort.
Perhaps a function of the id,
Some reptilian impulse
To want to lie, if truth be told,
On a warm rock, to absorb
The heat, to melt the ache.

--

Bruce Morton divides his time between Montana and Arizona. He is the author of two poetry collections: Planet Mort (2024) and Simple Arithmetic & Other Artifices (2014). His poems have appeared in numerous online and print venues. He was formerly dean at the Montana State University library.

Sunday, December 8, 2024

Pushcart Nominations

Disturb The Universe Magazine is proud to announce our nominees for The Pushcart Prize!

Gabriel Bates - Know Your Enemy
Jerome Berglund - Clovers
John Winfield Hoppin - Hot Day
Daniel Guido - You Knew You'd Come to This
Bruce Morton - The Morality and Economics of Sex
John Grey - Tattoos

Congratulations to each of these fantastic writers!







Friday, December 6, 2024

Carousel Girls by Kelly Moyer

Somewhere out there
is a galaxy
filled with gas lamps,
beating hearts
and freshly-plucked
pomegranates,
forever on the cusp
of releasing
the syrup
within their seeds.

In the night,
one might score
the ripest
like a poem
into quarters,
if only to luxuriate
in the rip of its pith
or, say, pierce
its potential
with the incisors,
ground down
from years of gnashing,
so as to allow the jaw
to provide the force.

Were morning to come,
the cobbles
would remain stained
with the intensity
of our aspirations,
yours and mine,
and we couldn’t help
but to beg the Buddha
to spin the wheel
one more time, like
the carousel girls
who have more
tickets than pockets
and live, in spite
of punishment,
to simply enjoy
the thrill of the ride.





















Kelly Moyer is an accomplished poet, photographer and fiber artist, who pursues her muse through the cobbled streets of New Orleans’s French Quarter as well as the mountains of North Carolina. Hushpuppy, her collection of short-form poetry, was released last year by Nun Prophet Press. Notecards containing a few of her most popular images are available at www.etsy.com/shop/theunfazedmoon.

Tuesday, December 3, 2024

An Encapsulated Life by Michael Anthony Ingram

In the timeline of existence,
I stand as a man,
seasoned and proud,
possessing strength akin to Hercules.
Yet within, I harbor the essence of a child,
inexperienced and feeble,
endowed with the plaything called life.
A divine bestowal, if you may.
Yet, adulthood unveils life's gravity,
no mere amusement but a solemn venture.
At times, I ponder relinquishing my toy,
too massive, unwieldy, fragile,
anxiety-ridden, bashful,
a challenge to manage,
with intricate parts awaiting swift assembly.
Yet, if returned to God,
would a simpler, better-suited replacement emerge?
Until that choice materializes,
I'll cling to the bestowed gift,
for, in the end,
it remains a cherished offering.


--

Dr. Michael Anthony Ingram, host and producer of the globally acclaimed poetry podcast Quintessential Poetry: Online Radio, YouTube, and Zoom. He is a retired university professor who champions the arts, especially poetry, to highlight issues at the intersection of power, privilege, and oppression. A nominee for the Pushcart Prize, he is also celebrated internationally as a spoken word artist. His eagerly anticipated second book of poetry, Metaphorically Screaming, will soon be released. For further details about the podcast, please visit www.qporytz.com.

Sunday, December 1, 2024

Friendly Ghost by Brandon Shane

I imagine sometime after my burial
they'll stir stew and toss in an extra clove
of garlic to honor my memory,
look at the night stars like brown butter,
see the sky as milk and thyme,
pigeons will be salt, auburn leaves
just a pinch of cinnamon and nutmeg,
our sun a great dandelion
that cannot be pulled.

They'll light an unscented candle
before a late dinner
and cradle lanterns wherever they go
like squirrels with hazelnuts stuffed
into their cheeks, and gray afternoon rain
will no longer ruin their day,
but inspire an idea.

I'll return in brief moments
as they go on chilly walks, trails
dimming with evening light,
somewhere in the rings of a sycamore tree,
somewhere in the sweet citrus of an orange,
woodland songs piercing nervous silence.

On the wings of a blue jay
covered in seeds
that will drift along a hill,
and months later,
there will be a gust, thunder,
something green sprouting
along the mud.

--

Brandon Shane is a poet and horticulturist, born in Yokosuka Japan. You can see his work in the Argyle Literary Magazine, Berlin Literary Review, Acropolis Journal, Grim & Gilded, Heimat Review, York Literary Review, Mersey Review, Prairie Home Mag, among many others. He would later graduate from Cal State Long Beach with a degree in English. Find him on Twitter @Ruishanewrites